{"title":"Memory Music - Label","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ebackground-colour(#863235)\u003c\/p\u003e","products":[{"product_id":"wrench-lp-bone-white-w-3-colour-splatter-vinyl","title":"Wrench LP (Bone White w\/ 3 Colour Splatter Vinyl)","description":"\u003cp\u003eFlycatcher - Wrench LP (Bone White w\/ 3 Colour Splatter Vinyl)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Info:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• MEMORY WEBSTORE (500) BONE WHITE W\/ 3 COLOR SPLATTER\u003cbr\u003e• BAND\/TOUR EXCLUSIVE (250) EVERGREEN OPAQUE\u003cbr\u003e• RETAIL EXCLUSIVE (250) LEMON YELLOW OPAQUE\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFault Line\u003c\/li\u003e\n\u003cli\u003eTruth\u003c\/li\u003e\n\u003cli\u003eDown\u003c\/li\u003e\n\u003cli\u003eFlood\u003c\/li\u003e\n\u003cli\u003eWrench\u003c\/li\u003e\n\u003cli\u003eMan on the Run (Featuring Brianna Collins)\u003c\/li\u003e\n\u003cli\u003eDissolve\u003c\/li\u003e\n\u003cli\u003eWatergap\u003c\/li\u003e\n\u003cli\u003eBrother\u003c\/li\u003e\n\u003cli\u003eSuper Bowl\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial Flycatcher Merchandise.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Flycatcher","offers":[{"title":"Default Title","offer_id":46885952192686,"sku":"MEMU001","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0773\/0721\/files\/FLYCATCHR1_5cb681d9-339a-4fe2-9015-bb16226a5f62.jpg?v=1757566469"},{"product_id":"with-you-in-spirit-lp-pink-blue-storm-swirl-vinyl","title":"with you in spirit LP (Pink \u0026 Blue Storm Swirl Vinyl)","description":"\u003cp\u003eBalance and Composure - with you in spirit LP (Pink \u0026amp; Blue Storm Swirl Vinyl)\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e2016’s Light We Made was meant to be the final full-length record from Pennsylvania rock band Balance and Composure. When they announced their breakup in 2019, things weren’t clicking the way they used to; it felt like the group had run out of road. But when the pandemic took hold the following year and ripped away all routine, vocalist and guitarist Jon Simmons started to miss his long-time bandmates. “Once everything is taken away from you, you remember what you like about it, and the pure reasonings of actually just having fun and using music as an outlet,” he says.\u003c\/p\u003e\n\u003cp\u003eEventually, lead guitarist Erik Petersen reached out to his former bandmates—Simmons, bassist Matt Warner, and guitarist Andy Slaymaker—with a simple question: How would they feel about simply trying to write music together again? Everyone agreed—the absence had weighed heavily on them. Along with new drummer Dennis Wilson, the friends gathered in October 2022 and began to write new songs. “I began to feel like a kid again,” says Simmons. “We were writing these songs for the pure reason of having an outlet and getting together with your friends, no pressure. We were longing for it, and we found it as soon as we got together. We didn’t want that train to stop.”\u003c\/p\u003e\n\u003cp\u003eAfter a few years of writing over weekend sessions, the band began the long process of recording. For the first time, says Simmons, every decision was mutually agreed upon by all members, making it perhaps the most collaborative period in Balance and Composure history. In 2023, they released the first taste of this new era: the comeback EP Too Quick To Forgive, with two new singles. Now, they’re unveiling their first full-length release in eight years.\u003c\/p\u003e\n\u003cp\u003ewith you in spirit, the fourth Balance and Composure LP, is an arresting, atmospheric collection of melodic post-punk and towering rock. The record’s cover photo, taken by Simmons at a family reunion last summer, is a striking capture of the world Balance and Composure have conjured across these 10 songs: while two children play on a lawn excitedly, a summer storm’s dark gray-blue clouds loom in the background. Indeed, with you in spirit thunders and stirs, dipping between beautiful, crystalline arrangements and punishing, earth-shaking climaxes; in between all, a gripping, near-physical tension crackles and growls and grooves, waiting to rip open.\u003c\/p\u003e\n\u003cp\u003ewith you in spirit is due out October 4 on Memory Music, the label created by Grammy-nominated producer Will Yip. When Yip heard the band was writing music again, he phoned them up and asked to be involved. “I literally told them I would do anything to be a part of this record,” laughs Yip, who produced the band’s breakout 2013 record The Things We Think We’re Missing along with their 2016 and 2023 releases. “Balance and Composure is one of the most important bands to my career, my life, my production development. When they went away in 2019, I was broken-hearted.”\u003c\/p\u003e\n\u003cp\u003eYip ended up producing and co-writing the entirety of with you in spirit with the band, over a two year period of weekend work that balanced new responsibilities with the band’s return. “I truly believe that this is the best collection of Balance and Composure songs there’s ever been,” says Yip. “This is their final form. It has the heavy stuff, it has the fast stuff, it has the groovy stuff. It has everything they’ve worked on over the last 12 years.”\u003c\/p\u003e\n\u003cp\u003eIt’s an intensely self-reflective record for Simmons, an uprooting and examination of the supports on which a life is built. Preemptive grief, wrestling with god and faith, familial responsibility, familial mortality—these are the things Simmons was carrying while writing this material. They’re also things he was trying, for better and worse, to avoid—hence the record’s title. “I noticed a lot of the theme of what I was writing about was my lack of presence, whether that be with family, friends, loved ones,” says Simmons. “A lot of it is that I struggle to be present when I should be. My defense in a way is to withdraw, and I send love from afar because I can’t personally deal with certain things in person. Maybe I was kind of pretending things aren’t happening at the same time.”\u003c\/p\u003e\n\u003cp\u003eThese experiences are interpreted in the record’s brutal, precise lyrics, lines that neither pull punches nor say too much. On a page, they’re razor-sharp; in context, they’re titanic. In its totality, with you in spirit feels like the work of songwriters reaching new heights, exploring new depths. Sometimes, the record itself feels like a band grappling with its own avoidance, its own mortality, and deciding to face these things the only way they know how. Balance and Composure are with us in spirit, yes, but in the flesh, too, for now. “You’re not alone with laments,” Simmons calls in a long, airy phrase midway through the record, “and you don’t belong to the dead yet.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Info:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePink \u0026amp; Blue Storm Swirl \/ 700\u003c\/span\u003e\u003cspan\u003e (Memory Music Exclusive)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003erestless\u003c\/li\u003e\n\u003cli\u003eain't it sweet\u003c\/li\u003e\n\u003cli\u003eany means\u003c\/li\u003e\n\u003cli\u003ecross to bear\u003c\/li\u003e\n\u003cli\u003ebelieve the hype\u003c\/li\u003e\n\u003cli\u003elead foot\u003c\/li\u003e\n\u003cli\u003esorrow machine\u003c\/li\u003e\n\u003cli\u003ea little of myself\u003c\/li\u003e\n\u003cli\u003ecloser to god\u003c\/li\u003e\n\u003cli\u003ewith you in spirit\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial Balance and Composure Merchandise.\u003c\/em\u003e\u003c\/p\u003e","brand":"Balance and Composure","offers":[{"title":"Default Title","offer_id":46889399222446,"sku":"MEMU003","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0773\/0721\/files\/balancecompmemorymusic_c9a45454-8eaf-422c-be39-c9f818aa39f5.jpg?v=1757646903"},{"product_id":"free-help-lp-neon-yellow-vinyl","title":"Free Help LP (Red In Yellow Vinyl)","description":"\u003cp\u003eHeart to Gold - Free Help LP (Red In Yellow Vinyl)\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePressing Info\u003c\/strong\u003e\u003cbr\u003e200 Neon Yellow\u003cbr\u003e300 Red in Yellow\u003cbr\u003e500 Blue in Clear\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSurrounded\u003c\/li\u003e\n\u003cli\u003eTNT\u003c\/li\u003e\n\u003cli\u003eCan't Feel Me\u003c\/li\u003e\n\u003cli\u003eMother Falcon\u003c\/li\u003e\n\u003cli\u003eMostly\u003c\/li\u003e\n\u003cli\u003eBelonging\u003c\/li\u003e\n\u003cli\u003eGet It Back\u003c\/li\u003e\n\u003cli\u003ePandora\u003c\/li\u003e\n\u003cli\u003eBlow Up the Spot\u003c\/li\u003e\n\u003cli\u003eF#\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial \u003cmeta charset=\"utf-8\"\u003eHeart to Gold Merchandise.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Heart to Gold","offers":[{"title":"Default Title","offer_id":46889511256238,"sku":"MEMU006","price":42.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0773\/0721\/files\/hearttogold.jpg?v=1757647992"},{"product_id":"live-forever-deluxe-edition-lp-cloudy-gold-vinyl","title":"Live Forever (Deluxe Edition) LP (Cloudy Gold Vinyl)","description":"\u003cp\u003eBartees Strange - Live Forever (Deluxe Edition) LP (Cloudy Gold Vinyl)\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eComing off the heels of his highly praised EP ‘Say Goodbye to Pretty Boy’ an eclectic collection of reimagined versions from The National’s catalogue, released via Brassland, D.C.-based musician Bartees Strange sets to break new ground with his debut LP ‘Live Forever’ via Producer Will Yip’s Memory Music label in 2020.\u003c\/p\u003e\n\u003cp\u003eStrange grew up in Mustang, Oklahoma, an overwhelmingly white and racist sundown town on the outskirts of Oklahoma City. In Mustang, he says, “I didn’t let myself be seen. I held myself down so I could make people feel more comfortable around me.”\u003c\/p\u003e\n\u003cp\u003eLive Forever is a direct and stunning result of this conviction. It’s impossible to divorce the reality of Strange’s personal trajectory from the intricate and idiosyncratic 11-track saga on record: it spans gentle, Moses Sumney-meets-Yves Jarvis minimalism, Killers-ish indie rock vigor with post-punk cracks in its danceable veneer, the throbbing industrial alt-soul of Algiers, Justin Vernon’s acoustic tenderness, and the volatile, unforgiving production and delivery of Death Grips. Simply put, it is a combination that none but Strange could execute under—and as a result of—precise circumstances.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePressing Info\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eCloudy Gold \/ 500 (Memory Music Exclusive)\u003cbr\u003eClear \/ 1500\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJealousy\u003c\/li\u003e\n\u003cli\u003eMustang\u003c\/li\u003e\n\u003cli\u003eBoomer\u003c\/li\u003e\n\u003cli\u003eFree Kelly Rowland\u003c\/li\u003e\n\u003cli\u003eIn a Cab\u003c\/li\u003e\n\u003cli\u003eStone Meadows\u003c\/li\u003e\n\u003cli\u003eFlagey God\u003c\/li\u003e\n\u003cli\u003eMossblerd\u003c\/li\u003e\n\u003cli\u003eFar\u003c\/li\u003e\n\u003cli\u003eFallen for You\u003c\/li\u003e\n\u003cli\u003eGhostly\u003c\/li\u003e\n\u003cli\u003eWeights\u003c\/li\u003e\n\u003cli\u003eFlagey God Redux\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial \u003cmeta charset=\"utf-8\"\u003eBartees Strange Merchandise.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bartees Strange","offers":[{"title":"Default Title","offer_id":46889558442158,"sku":"MEMU008","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0773\/0721\/files\/bars_d0cd0002-e626-4771-a75d-53b325b97c2a.jpg?v=1757648523"},{"product_id":"all-again-lp-amber-gold-vinyl","title":"All Again LP (Amber Gold Vinyl)","description":"\u003cp\u003eQueen of Jeans - All Again LP (Amber Gold Vinyl)\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePressing Information\u003c\/strong\u003e\u003cbr\u003e150 Sea Blue\u003cbr\u003e350 Laguna Blue Marble\u003cbr\u003e500 Amber Gold Swirl\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eAll Again\u003c\/i\u003e. That’s the title of the upcoming full-length record from Philadelphia’s Queen of Jeans. The LP tracks an entire arc that, by the final hazy vibrato wash of “Do It All Again,” bleeds back into the ambient first seconds of the record. “Thought I’d call tonight, hear how you’re dealing,” Miriam Devora sings to a distant lover on opener “All My Friends” in a neon-lit, melancholy tenor, the precise sound of lonesome love. The full band joins her in a beautiful night time sway, but it’s still no use: “I got all my friends around, but I’m not home til I’m alone with you.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe rest of the record follows this relationship as it tumbles through loneliness and longing, to elation and joy, to pain and anger, and finally to its foggy close, where Devora admits, “If I got to do it all again, I’d find you there like I did back then.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReleasing on Memory Music,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll Again\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis principally an enveloping, rich indie-rock record, changing dance partners between cheek-to-cheek ’60s pop sweetness, ’90s alt-rock dirt, spacious and pained emo, and the songcraft and melodicism of the sharpest acoustic singer-songwriter acts. Devora (vocals, guitar, keys) and Matheson Glass (lead guitar, piano) took extra care this time to create a Queen of Jeans full-length that reflected in sound and structure the emotional depths they were exploring.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt’s the first time since their 2015 debut,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDig Yourself\u003c\/i\u003e, that they’ve had a full band, with drummer Patrick Wall and bassist Andrew Nitz, to build with. Where on releases like 2022’s sparkling lockdown-pop\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHiding In Place\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eDevora and Glass had gone into producer and mix\/master engineer Will Yip’s Studio 4 with sketches and worked with Yip to arrange the songs in studio, this time, they went in with a complete vision for the record. That allowed them to use studio time to expand the record’s sonic boundaries. “We had a lot more room to play with some of the ear candy we’ve always wanted to explore and get weirder in the studio,” says Glass.\u003cbr\u003e\u003cbr\u003eThose elements lend a physicality and playfulness to the memory and emotions that unfurl through\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll Again\u003c\/i\u003e. “We’re trying to tell the story of when you look back at an important relationship,” says Glass. “Years go by, and the more you reflect on it, it becomes more warped and the facts become a little bit more murky. We wanted to play with that and get surreal with the story.” (Literally: listen for a “monster” voice in the already-released banger “Karaoke.”) The record’s artwork, conceptualized by Devora, renders this idea with devastating clarity.\u003cbr\u003e\u003cbr\u003e“It starts and ends at these bookends,” Devora explains of the first and last songs, but the bookends—and really, most of the spaces along the way—could be the beginning or the end, depending on how and when you hear them. Devora wrote “All My Friends” while Glass was away working another tour. It’s a sweet, intimate love song, but in context on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll Again\u003c\/i\u003e, it’s also an introduction to the record’s story. Many of the songs follow this example: personal experiences that are recontextualized in a semi-fictional narrative.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLead single “Horny Hangover” is destined for a spot in the messy situationship canon with its instant-anthem chorus: “I get a horny hangover every time you cross my mind,” Devora groans, the victim of irrepressible magnetism. The slow heartache waltz of “All My Friends” will release next, followed by “Bitter Pill,” a driving churn of overdrive and charged drums that backdrop a turn in the story, where sadness and denial mutate into anger. “You’re like, ‘Fuck you, your best friends, everyone who is related to you,’” explains Devora. This phase continues on “Go Down Easy,” a heavy look at abuse and substance use that recasts queer relationships with nuance and humanity. This one, too, is destined for live sing-alongs, with its delicious gang-chant: “God damn you, and I mean it!”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAfter the heart-pounding indie-rock romance of “Last To Try” comes the woozy, lovesick closer, “Do It All Again.” But in these distant closing seconds, you just barely catch a hummed melody that reminds you of everything that was just experienced, and carries you back to the beginning. 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LP (Yellow Vinyl)","description":"\u003cp\u003eWebbed Wing - What's So Fucking Funny? LP (Yellow Vinyl)\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ch5\u003ePressing Information\u003c\/h5\u003e\n\u003cp\u003e300 Ruby Red \u0026amp; Clear Swirl\u003cbr\u003e700 Pink\u003c\/p\u003e\n\u003cp\u003eSecond Press\u003cbr\u003e500 Yellow\u003c\/p\u003e\n\u003cp\u003eFollowing a decorated career with Philly rock group Superheaven, singer and guitarist Taylor Madison meanders into newly-refined songwriter territory with the inception of Webbed Wing in 2018. Joined by Jake Clarke (drums) and Mike Paulshock (bass), the band fully realizes their innate genre-blending musicality.\u003c\/p\u003e\n\u003cp\u003eWebbed Wing’s somewhat simplistic approach to songwriting explores what it means to birth a sad song without fully killing a mood, paired with a soundscape laden with nostalgia and a tasteful pop-rock resurgence. 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To be even more specific, they’re three guys from Fridley and Columbia Heights, two towns on the north end of the Twin Cities. These facts are important: the three members of Heart to Gold share an intimate and reciprocal relationship with their hometowns. They celebrate and support one another.\u003c\/p\u003e\n\u003cp\u003eThe band’s upcoming second full-length record, Tom, is a swaggering, scrappy punk rock love letter to their hometowns and all the glory, pain, conflict, and reward that come from being of a place and a community and seeing both through, even to bittersweet ends. (Plus, it’s got an I Think You Should Leave reference.) It’s named for and dedicated to their best bud, Thomas Vescio, though his is not the mug leering goofily on the record’s cover. “That’s our bass player Sidian Johnson,” says singer and guitarist Grant Whiteoak. It’s an intentional feint: “It’s kinda silly, we knew people would think, ‘Oh, that must be Tom.’ Nope.”\u003c\/p\u003e\n\u003cp\u003eThe music on Tom, which follows their 2018 LP COMP, was written by Whiteoak between early 2019 and early 2021 before he convened with Johnson and drummer Blake Kuether to track at various locations across the Twin Cities, including Tangerine Recording Studio in St. Paul, TreeSpeak Studios in Minneapolis, and Whiteoak’s house.\u003c\/p\u003e\n\u003cp\u003eIt’s a fitting process for a record that tracks the formative emotional rollercoaster of life between the Twin Cities and Red Wing, Minneapolis, where the trio went to college. 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Opener “Gimme A Call” blasts in with Weezer riffing and Whiteoak’s voice, belting and strained, crooning, “If you’re ever feeling alone…” before gang vocals respond, “Just gimme a call!”\u003c\/p\u003e\n\u003cp\u003eLead single “Respect” launches with vivid major-key crunch and bright chording, with Whiteoak’s furious, pitch-perfect howl: “I wanna bathe in the blood of those who deny that we all just really want the same thing the whole damn time!” A slide guitar lead soars behind the chorus, layering a familiar aesthetic with a humble, rootsy tinge.\u003c\/p\u003e\n\u003cp\u003eSecond single “Overwhelmed” is appropriately intense and dark, an anxious anthem for people who can’t control a racing mind. 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After a mid-tempo punk rock blast to start the six-minute-plus track, a quiet guitar riff and driving stomps lead in a choir of voices, shouting in harmony: “Mary I’m young and able, I wanna get this bread\/So I can share it with all, with all my broke-ass friends!” Before a triumphant, volcanic outro, Whiteoak leaves us with the record’s last words: “I’m just a little kid.”\u003c\/p\u003e\n\u003cp\u003eIt’s a fitting send-off for a trio of childhood friends from different scenes across Minneapolis, who came up on the DIY aesthetic of The Germs, Nirvana, and The Ramones, the anthemics of Joyce Manor and Title Fight, and a deep love of hardcore. (“We wanna be a hardcore band, but we don’t know how,” says Whiteoak.) Once the band started working and playing around Minneapolis, Whiteoak knew there was only one option: keep Heart to Gold going. “I was basically like, ‘I wanna try doing this or I wanna die,’” he says. 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